| "Songs go far beyond words in their ability to | | | | films appealed to people at a deeply personal |
| insert emotion into | | | | level.Pop Songs in Learning |
| communication." Robert Sylwester, A Celebration | | | | In Training With A Beat, I discussed at length the |
| of NeuronsFilmmakers, if they knew who brain | | | | application of pop songs in the |
| researcher Robert Sylwester was, would agree | | | | learning environment. In part, I said:"Concert halls, |
| with him. They often integrate familiar songs into | | | | ballrooms, parties, and yes, the class room, can |
| their movies. Pop songs are so | | | | be uncomfortable |
| successful that movie producers will pay | | | | environments. When people hear a song they've |
| exorbitant sums, in some cases as much as | | | | listened to in the privacy of their |
| $100,000, to acquire the rights for the | | | | home, they relax. Comfortable music emotionally |
| song.Sylwester, in his book A Celebration of | | | | warms the training room, placing |
| Neurons, went on to explain:"The songs of our | | | | learners in a receptive frame of mind for learning. |
| adolescent years often become the beacons of | | | | Songs with lyrics, especially |
| our adult life | | | | popular hits of the last 50 years, are extremely |
| because they can help us to recall the important | | | | useful for this reason. They are old, |
| developments of our adolescence. | | | | well worn, welcome friends."Songs with lyrics also |
| We often listen to this music to relive the | | | | engage learner brains in multiple ways. The words |
| memories in the extended reverie of song. | | | | and rhythm |
| The song slows the simple message so that we | | | | of a song are largely processed in the brain's left |
| can savor all the emotions of the | | | | hemisphere, where the melody is |
| experience."In a film composer's hands, pop | | | | largely processed by the right hemisphere. By |
| songs are chosen and linked to those memories in | | | | using songs with lyrics, you help your |
| | | | learners engage both hemispheres. In the |
| a way that adds emotional texture to the film. | | | | process, they gain a deeper meaning than |
| Films with pop music scores function | | | | is possible with one hemisphere alone.Song lyrics |
| on two distinct levels. The first level is the | | | | can, as was the case in The Big Chill, speak |
| application of the song in the film. Every | | | | directly to the learning topic. |
| song lyric tells a story and a well placed song's | | | | The many applications are too numerous to |
| story will dovetail with the film's | | | | state in this one article, but a few |
| visual.The second, and deeper, level is the | | | | examples should prove the point:Career planning - |
| emotional meaning the use of specific songs | | | | "All Star" by Smash Mouth |
| brings forth within the listener. The songs | | | | Change management - "Bad Day" by Daniel |
| become metaphors, placing the subject | | | | Powter |
| to be taught in the context of the learners prior | | | | Communication - "Hello, Goodbye" by the Beatles |
| experiences. When people hear | | | | Conflict management - "Shut Up" by the Black |
| songs they know, and have personal memories | | | | Eye Peas |
| of, they immediately are drawn back | | | | Customer service - "Lean On Me" by Bill Withers |
| into those memories, and the experience is | | | | Diversity - "Short People" by Randy Newman |
| enhanced. In essence, pop music helps | | | | Finance - "Takin' Care of Business" by |
| us relate to the story being told in a deeply | | | | Bachman-Turner Overdrive |
| personal, highly emotional way.Three famous films | | | | Project Management - "One Little Slip" by the |
| used this technique to achieve success.American | | | | Bare Naked Ladies |
| Graffiti (1973), telling the story of a group of | | | | Sexual harassment - "Respect" by Aretha |
| early 1960s high | | | | Franklin |
| schoolers enjoying a last summer before | | | | Time management - "Right Place, Wrong Time" |
| adulthood, was intentionally designed as a | | | | by Dr. JohnOnce you've decided on an appropriate |
| series of pop music vignettes. George Lucas, the | | | | song, placement is simple Considering the |
| film's director, developed the | | | | Randy Newman song "Short People" for |
| storyline, and selected the songs to almost | | | | example:Introduction - Play the song as the |
| simultaneously.Each scene matched the length of | | | | learners enter. Once the song is over call |
| the song accompanying it. For example, Bill | | | | attention to the songs lyrics and ask for |
| Haley's "Rock Around The Clock," played during | | | | comments about the meaning conveyed by |
| the opening credits, set up the | | | | those lyrics. Use those comments as a transition |
| film's innocence of summer theme. The Crests' | | | | to your presentation.Filler - Play the song during |
| "Sixteen Candles" accompanied a | | | | breaks to add a subliminal message to your |
| young girls sixteenth birthday. "Teen Angel" by | | | | content.Activity - Divide your learners into groups |
| Mark Dinning was played when a | | | | and instruct them to read and discuss the |
| character dies in a drag race. The film ends with | | | | lyrics. Then lead a general discussion to share |
| the Spaniels' "Goodnight, Well It's | | | | each group's observations.Conclusion - Conclude |
| Time To Go."The Big Chill tells the story of a | | | | your session by stating, "We are all short people |
| group of former 1960s radicals turned | | | | in |
| 1980s yuppies who gather to mourn the passing | | | | someone's eyes." Then ask the rhetorical |
| of an old friend. Like American | | | | question, "If none of us were welcome |
| Graffiti, The Big Chill uses pop songs, although in | | | | around here, who would be left to complete our |
| this case, to add commentary to | | | | work?" Start the song and thank |
| the on-screen occurrences.Marvin Gaye's "I Heard | | | | everyone for attending. Your learners will walk |
| It Through The Grapevine" accompanied the | | | | out of the classroom with the song |
| actors as they | | | | and its lyrics firmly implanted in their brains, and |
| hear about their friend's passing. "You Can't | | | | you will have closed with a visually |
| Always Get What You Want" by the | | | | powerful learning point.Given the large number of |
| Rolling Stones is played as an ironic commentary | | | | pop songs available, the options are limited only by |
| on the friend's death. As the | | | | your |
| friends discuss relationships, The Young Rascals | | | | imagination and the musical preferences of your |
| "Good Lovin'" is performed. Finally, | | | | learners. You too can have your |
| "Bad Moon Rising'" by Credence Clearwater | | | | learners, in the words of the old song by "M", |
| Revival is played immediately after a | | | | "talkin' 'bout pop music."Please respect song owner |
| former lover proposes that she and her old | | | | rights. Consult your organization before you use |
| flame reunite for an evening.The best | | | | another |
| subconscious music placement occurs in a | | | | person's musical composition.Visit Lenn on line at |
| supermarket between the two | | | | Blog with Lenn at Millbower, BM, MA, the |
| former lovers who contemplate rekindling their | | | | Learnertainment(R) Trainer is an expert in applying |
| relationship. Although their desire | | | | |
| for each other is palpable, both hold back, only | | | | show biz techniques to learning. He is the author |
| conversing about the shopping task | | | | of the ASTD Info-Line, Music as a |
| at hand as the store's Muzak system plays Frank | | | | Training Tool, focused on the practical application |
| Sinatra's "Strangers In The Night."Forest Gump | | | | of music to learning; Show Biz |
| tells the story of a dimwitted man who | | | | Training, the definitive book on the application of |
| experiences a series of | | | | entertainment industry |
| life adventures over several decades. Because | | | | techniques to training; Cartoons for Trainers, a |
| the film's extended time frame, the | | | | popular collection of 75 cartoons for |
| music serves to establish the time and | | | | learning; Game Show Themes for Trainers, a |
| place.Credence Clearwater Revival's "Fortunate | | | | best-selling CD of original learning |
| Son" sets up Gump's Vietnam tour. To | | | | game music; and Training with a Beat: The |
| state that Forest's girlfriend has moved to | | | | Teaching Power of Music, the foremost |
| California, California Dreaming" by the | | | | book on the application of music to learning. Lenn |
| Mamas and Papas is used. "San Francisco" by | | | | is an in-demand speaker, with |
| Scott Mackenzie frames Forest's 1960s | | | | successful presentations at ASTD 1999-2005 and |
| visit to San Francisco. When Forest returns home | | | | SHRM 2006; a creative and |
| to Alabama, Lynyrd Skynyrd's | | | | dynamic instructional designer and facilitator |
| "Sweet Home Alabama" is played. These music | | | | formally with the Disney University |
| placements help the films listeners | | | | and Disney Institute; an accomplished |
| comprehend the different locations and eras | | | | arranger-composer skilled in the |
| represented in the film.American Graffiti, The Big | | | | psychological application of music to learning; a |
| Chill, and Forest Gump were all highly successful | | | | popular comedian, magician and |
| films, | | | | musician; and the president of Offbeat |
| and their pop song application played a huge part | | | | Training(R), infusing entertainment-based |
| in creating that success. All three | | | | techniques into learning to keep 'em awake! |